The Espresso Joya coffeehouse on Cumberland, corner to Red River Road, is currently adorned with unique and fresh paintings of solitary colourful birds perched happily, yet boldly against contrasting backgrounds inspired by the work of modernist painters.
Tim Boyce’s affinity for birds began at an early age growing up in Stanley and Neebing areas on the outskirts of Thunder Bay. “There was always a pair of binoculars out at the house and my mother always put out plenty of bird feeders. We had these huge windows and I would sit there for hours watching the birds,” says Tim.
Living in various townships can make for a solitary life for a child and can encourage a dedication to various hobbies, including drawing, which was something Tim took to immediately. Tim says, “I could zone out with drawing. It was an escape from reality when I was a kid. I wasn’t much of a painter until I went to university.”
There was little confusion in his mind as to where he wanted to go with his work. In the Lakehead University Visual Arts program Tim practiced and studied the fundamentals of a modernist approach brought about by his interest in Piet Mondrian, Gustav Klimt and Pablo Picasso. Yet he never abandoned what he calls his classical approach to painting, as seen in the kind of realist detail and stalwart poses of the birds. To paint them he works with acrylic, painting on canvas garnering imagery from nature, photos, and his imagination.
Birds can be perennial symbols of freedom, frivolity, and life in general. In Tim’s paintings they seem to be at odds with the seemingly out of focus modernist backgrounds, which also act as a perspective trick to give the painting some depth where the paintings would otherwise appear quite flat. The backgrounds also help to make symbolic reference not only to Tim’s favourite modernist artists, but with our modern world as represented by block-like shapes and sheens of metallic iridescent colouring. “I think it’s really important to balance our natural world with urban cities of today,” says Tim describing his concerns for humanity’s need for industry at the expense of our natural world. “I hope this series expresses my feelings on these particular issues.“
“I use the block or cube shape for symbolic reasons to mimic human urban development - a sort of natural urban reference.” Although the references are subdued and the paintings come across more readily as pretty pictures than grand statements it wouldn’t be hard for Tim to generate more interesting works by tweaking the contrasts a bit more. And this is what he is planning to do, continuing with his chosen subject and themes.
He does his painting in his spare time while working his day job at the Balmoral Centre of the St. Joseph’s Hospital as an addictions crisis worker, a job that firmly grounds his life in reality giving him an understanding of the frailty of human life. In fact it could be said that the birds might represent people dealing with a modern world. This might not be a stretch and a reason for Tim to find so much affinity with the subject matter.
Having his paintings as a set backdrop for a feature film, a psychological thriller called “Poor Agnes” just last week and having sold two rather expensive, yet reasonably priced paintings from the Espresso show Tim is stoked to do more work, have more shows and explore the possibility of making a mark in Thunder Bay. He’s certainly capable and got a popular subject matter. Familiar with many of the birds traits, habits and some of the science involved in their study, Tim says. “I admire birds. They are simple yet complicated. I love that duality.”